*15 April* Apparatus 22: on statistics, SUPRAINFINIT, no. 3 and arches of roses

Posted on April 18, 2017


Apparatus 22
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Apparatus 22 – introduced to Goleb by our friends, Mira, Shona and Lucrezia – is a multidisciplinary and multiform artists collective which takes many different shapes and lives multiple lives. They see themselves as a collective of dreamers, researchers, poetic activists and (failed) futurologists interested in exploring the intricate relationships between economy, politics, gender studies, social movements, religion and fashion in order to understand contemporary society.


Saturday  :  15 April  :  7 pm   @   Goleb 
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on statistics, SUPRAINFINIT, no. 3 and arches of roses

This talk introduces Apparatus 22 collective through a set of complex topics ranging from the importance of no. 3 and it’s growing ramifications in their artistic practice to the potency of reading and commenting undertones in statistics, from their SUPRAINFINIT universe to the many ways they are scrutinizing the body being under the influence of the fashion system and other oppressive powers at work in contemporary society.

In the meantime…

Apparatus 22 was also contributing De Appel Curatorial Programme:

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Apparatus 22 is a transdisciplinary art collective founded in January 2011 by current members Erika Olea, Maria Farcas, Dragos Olea together with Ioana Nemes (1979 – 2011) in Bucharest, Romania. Beginning with 2015 they are working between Bucharest and Brussels.

Their work was presented in exhibitions and festivals at La Biennale di Venezia 2013, MUMOK, Vienna (AT), Brukenthal Museum Contemporary Art Gallery, Sibiu (RO), MAK, Vienna (AT), Steirischer Herbst, Graz (AT), Akademie Schloss Solitude, Stuttgart (DE), Salonul de Proiecte, Bucharest (RO), Museion, Bolzano (IT), TIME MACHINE BIENNIAL OF CONTEMPORARY ART, D-0 ARK UNDERGROUND, Konji (BIH), TRAFO Gallery, Budapest (HU), Futura, Prague (CZ), Ujazdowski Castle – Centre for Contemporary Art, Warsaw (PL), Württembergischer Kunstverein Stuttgart (DE), Contemporary Art Museum (MNAC), Bucharest (RO), KunstMuseum Linz (AT), Osage Foundation (Hong Kong), Progetto Diogene, Turin (IT), Drodesera Festival, Dro (IT), Young Artists Biennial, Bucharest (RO), Oberwelt, Stuttgart (DE), Galeria Nicodim, Bucharest (RO), Nieuwe Vide, Haarlem (NL), Nest, Den Haag, (NL), Académie Royale des Beaux-Arts de Bruxelles (BE), CIAP, Hasselt (BE) etc.;

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Apparatus 22 also works beyond institutions via performances in public spaces, interventions in private spaces and other hybrid forms.

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